There's a Good Girl by Marianne Grabrucker

The photographer Veronique Rolland is most proud of working on Dove's 'Real Women' campaign, while Law picks out a set of illustrations she did for Mulberry and Jackson a campaign for featuring the Queen and family doing a Royal selfie.

'Those turned off by are depriving themselves of an incredible piece of cake.'Įach artist has also picked out their favourite piece of commercial work in an accompanying catalogue.

'If people don't like it, then I am doing exactly the right thing', she says. Titled 'When I'm good, I'm very good, but when I'm bad, I'm better', it sums up her punkish attitude to clients. Glew, whose anti-war screenprint of an Afghan girl on the American flag appeared on the front of Le Monde, has printed the face of Vogue editor Anna Wintour onto the Stars and Stripes, while Miss Cakehead has baked a terrifying creation, iced with fake blood and cherry skulls. Many of the works subvert the imagery traditionally associated with women and advertising – domestic appliances and baking, fashion and body parts, like big red lips. The loose brief has inspired a broad spread of ideas and images of the female experience in the 21st century.

Meanwhile, the lobby of the offices at 80 Charlotte Street will be converted into a gallery, exhibiting, among other things, Alison Jackson's apparently candid dressing-room snapshot of Kanye West helping to squeeze Kim Kardashian into a pair of Spanx, a short film by Mary Nighy about an ageing Debbie Harry-type on tour and a flying Hoover made by Soozy Lipsey. The piece is by Alison Carmichael, a typographer whose work has appeared in campaigns for everything from McDonald's to Special K. This week the pub's exterior will get a feminist makeover for the 21st century, in the form of a giant billboard which spells out 'There's a Good Girl' in hundreds and thousands. To this day, the private pub at the advertising agency's London headquarters is called the Pregnant Man. Remember the Pregnant Man? The black and white advertisement for the Family Planning Association featured a man cradling his swollen belly and the caption 'Would you be more careful if it was you that got pregnant?' Striking, memorable, a little shocking, it made the name of a fledgling Saatchi & Saatchi in 1970.

There's a Good Girl by Marianne Grabrucker